Monday, September 18, 2017

The Lady Mary Shepherd Philosophy Salon

I recently came across a blog by Liba Kaucky called The Lady Mary Shepherd Philosophy Salon, which is devoted to discussion of Shepherd's philosophy. Definitely worth checking out if you are interested in various aspects of Shepherd's work.

Poetry and Prose

Freedom is fullness, especially fullness of life; and a full vessel is more rounded and complete than an empty one, and not less so. To vary Browning's phrase, we find in prose the broken arcs, in poetry the perfect round. Prose is not the freedom of poetry; rather prose is the fragments of poetry. Prose, at least in the prosaic sense, is poetry interrupted, held up and cut off from its course; the chariot of Phoebus stopped by a block in the Strand. But when it begins to move again at all, I think we shall find certain old-fashioned things move with it, such as repetition and even measure, rhythm and even rhyme.

G. K. Chesterton, "The Slavery of Free Verse", Fancies Versus Fads.

Sunday, September 17, 2017

Rainbow in the Sky

In addition to being the memorial of St. Robert Bellarmine, it is also the memorial of St. Hildegard von Bingen, Doctor of the Church, the Sibyl of the Rhine.

From her work explaining the Athanasian Creed (as translated by Nathaniel Campbell):

But God was mindful of the oath he made by the rainbow that he placed in the clouds of the sky (cf. Gen. 9:13-17) when he willed his Son—signified by the rainbow—to be born of untainted virginal nature. He overcame all of his enemies with a powerful assault, as those humans were destroyed by the water of the flood (cf. Gen. 7)—but to a new age of humankind, restored by the water of baptism, Christ appeared like a rainbow in the clouds to reign within the Church. Indeed, the Church of God was joined to the Son of God as circumcision was to the law, whose keeping was a forerunner and prefiguration of the Church. But the new age, gilded by the Church’s ornament, shall never be chided for any fault at all. Moreover, like the rainbow it will never fade from the sky, and when it will be suppressed with fear to the point that it can scarcely see through a single eye, it will again be restored in the Son of God, just as it will also be restored at the time of the son of perdition (II Thess. 2:3). The various colors of the rainbow also signify the powers and virtues of the thousands of saints—in fire’s heat chastity and continence, in purple the martyrs’ martyrdom, in hyacinth-blue the teaching of our ancestors, and in green the virtues of the saints’ good works, which come forth as beams breathed forth by the Son of God like rays from the sun.


Today is the memorial of St. Roberto Bellarmino, S.J., Doctor of the Church, the great polemicist of the Counter-Reformation.

He has an interesting passage in the Controversies in which he summarizes the travails of the Church using the Apostles' Creed. I'm not sure how hard it should be pressed as an intended historical thesis of how things have to unfold (since he clearly thinks there is overlap, and does regard all points as being under continual attack to varying degrees), rather than as an account of the thoroughness with which the Church is attacked on points of doctrine, which has its own natural order, but it does a good job of giving a sense of his sense of the spiritual war. It helps to know first the ordering of the articles, in their traditional enumeration.

1. I believe in God the Father almighty, creator of heaven and earth.
2. I believe in Jesus Christ, his only Son, our Lord.
3. He was conceived by the power of the Holy Spirit and born of the Virgin Mary.
4. Under Pontius Pilate, He was crucified, died, and was buried.
5. He descended to the dead. On the third day he rose again.
6. He ascended into heaven and is seated at the right hand of the Father.
7. He will come again to judge the living and the dead.
8. I believe in the Holy Spirit,
9. the holy catholic Church, the communion of saints,
10. the forgiveness of sins,
11. the resurrection of the body,
12. and the life everlasting.

The enemy of the human race, although otherwise he is wont to be totally perverse and a disturber of good order, still he wishes to attack the truth of the Catholic Church not without a certain orderly procedure. Therefore, in the first two centuries from the foundation of the Christian Church, he was totally occupied in trying to destroy the first article in the Apostles' Creed. For what else did they want--the Simonians, the Menandrians, the Basilidians, the Valentinists, the Marcionists, the Manichaeans, and the whole school of the Gnostics--except that there is not one God, the Father Almighty, Creator of heaven and earth? But when he did not succeed in that, again at a later time about 200 years after the Lord, the devil established a new front, and he began to attack the second article of the Creed in which the divinity of Christ our Lord is explained....

...But since even then the gates of hell could not prevail against the Church, the devil, now taking a new third approach, began to oppose with even greater strength the third and at the same time the fourth, the fifth, the sixth and the seventh articles, because they have a certain connection and relationship with each other.

Therefore he stirred up Nestorius and Theodore of Mopsuestia after the year 400....

All of these, even though different among themselves and using contrary tactics and tricks, strove to destroy and overturn the last five articles of the Apostolic Creed concerning the one and the same mystery of the divine Incarnation, and also of the passion, of the resurrection and of his coming to judge the living and the dead.

He then assigns the schism between East and West to the attack on the eighth article, on the Holy Spirit, and then continues:

But certainly, when our cunning enemy realized that he was accomplishing very little by attacking those articles of faith, which pertain to the divine persons, he then dedicated himself completely to upset and destroy the truths concerning the Church and the sacraments. These two articles -- I believe in the holy Catholic Church, the communion of saints and the forgiveness of sins, with all of his tricks and efforts, with the power of hell he has tried to pervert, and he is still trying even to this day; this has been his strategy since the year one thousand down to the present day; his forces have often been changed, increased and renewed -- by the Berengarians, Petrohrussians, Waldensians, Albigensians, Wycliffites, Hussites, Lutherans, Zwinglians, Confessionists and Anabaptists.

And here we still are, I suppose, still fighting the Battle over the Forgiveness of Sins in the longest and most subtle war.

[St. Robert Cardinal Bellarmine, S. J., Controversies of the Christian Faith, Baker, tr. Keep the Faith Inc., pp. 17-19.]

Saturday, September 16, 2017

The Dilemma of All Human Philosophizing

It is a bold undertaking to pick out a single pair of concepts from a closed system in order to get to the bottom of them. For the "organon" of philosophy is one, and the individual concepts that we may isolate are so intertwined that each sheds light on the others and none can be treated exhaustively outside of its context.

Such is the dilemma of all human philosophizing: truth is but one, yet for us it falls into truths (plural) that we must master step by step. At some point we must plunge in to discover a greater expanse; yet when this broader horizon does appear, a new depth will open up at our point of entry.

[Edith Stein, Potency and Act, Redmond, tr., ICS Publications (Washington, DC: 2009) p. 5.]

Friday, September 15, 2017

Vehement Fire of Charity

Today is the feast of St. Catherine of Genoa, who devoted her life to the sick and ran a hospital. She died in 1510. Her most famous and lasting work, however, is her Treatise on Purgatory, which is probably the most important early modern discussion of the doctrine. It appeared, four decades after her death, in a book about her life; the authenticity of the attribution to her has occasionally been denied, but the evidence, such as it is, tends to favor it, and there is no particular reason other than the work's late public appearance to reject it. It is usually thought, however, to have had some redaction by others, probably at least organizational. From the Treatise on Purgatory, chapter III:

And because there is no good except by participation with God, who, to the irrational creatures imparts Himself as He wills and in accordance with His divine decree, and never withdraws from them, but to the rational soul He imparts Himself more or less, according as He finds her more or less freed from the hindrances of sin, it follows that when he finds a soul that is returning to the purity and simplicity in which she was created, He increases in her the beatific instinct and kindles in her a fire of charity so powerful and vehement that it is insupportable to the soul to find any obstacle between her and her final end; and the clearer vision she has of these obstacles the greater is her pain.

Since the souls in Purgatory are freed from the guilt of sin, there is no barrier between them and God save only the pains they suffer, which delay the satisfaction of their desire.

[St. Catherine of Genoa and Don Cattaneo Marabotto, The Spiritual Doctrine of Saint Catherine of Genoa, TAN (Rockford, IL: 1989) pp. 303-304.]

Thursday, September 14, 2017

Opinio Copiae inter Maximas Causas Inopiae Est

John Stuart Mill, The Subjection of Women, Chapter 1:

I have dwelt so much on the difficulties which at present obstruct any real knowledge by men of the true nature of women, because in this as in so many other things "opinio copiae inter maximas causas inopiae est"; and there is little chance of reasonable thinking on the matter while people flatter themselves that they perfectly understand a subject of which most men know absolutely nothing, and of which it is at present impossible that any man, or all men taken together, should have knowledge which can qualify them to lay down the law to women as to what is, or is not, their vocation. Happily, no such knowledge is necessary for any practical purpose connected with the position of women is relation to society and life. For, according to all the principles involved in modern society, the question rests with women themselves — to be decided by their own experience, and by the use of their own faculties. There are no means of finding what either one person or many can do, but by trying — and no means by which anyone else can discover for them what it is for their happiness to do or leave undone.

Opinio copiae inter maximas causas inopiae est means 'One of the biggest reasons for being impoverished is thinking you have a lot' (literally, 'belief in abundance is among the greatest causes for scarcity', or 'the idea that one is wealthy is one of the major causes of poverty'). It is a quotation of Francis Bacon, in particular from the preface of the Instauratio Magna; Bacon is talking about knowledge, which is why it comes up here; what Mill says immediately after this is entirely in line with the meaning of the saying. It's worth quoting in context, since Mill is likely assuming that the whole passage would be called to mind by his quotation of the key part:

It seems to me that men do not rightly understand either their store or their strength, but overrate the one and underrate the other. Hence it follows that either from an extravagant estimate of the value of the arts which they possess they seek no further, or else from too mean an estimate of their own powers they spend their strength in small matters and never put it fairly to the trial in those which go to the main. These are as the pillars of fate set in the path of knowledge, for men have neither desire nor hope to encourage them to penetrate further. And since opinion of store is one of the chief causes of want, and satisfaction with the present induces neglect of provision for the future, it becomes a thing not only useful, but absolutely necessary, that the excess of honor and admiration with which our existing stock of inventions is regarded be in the very entrance and threshold of the work, and that frankly and without circumlocution stripped off, and men be duly warned not to exaggerate or make too much of them.

Bacon is concerned with arguing for the importance of doing more along the line of what we call scientific inquiry; this, of course, is not the kind of argument Mill is making. But Mill would see less of a division between what we call scientific matters and political or ethical matters than most people would today; political progress would not be sharply divided by him from scientific progress. Thus it's probably not just incidental that he is quoting philosophy of science in a discussion of government. And the basic line of thought has parallel -- before you could have reasonable thought, men would have to recognize that they really know nothing, and therefore need to learn. But in the political context there is an option that does not exist in the context Bacon is discussing: it is not actually necessary for men to learn all they need to know in order to lay down the law for how women should be women -- they can let the experts decide, namely, the women themselves.

David J. Riesbeck has a very nice little paper on the fact that the Latin quotation has often been mistranslated in notes to editions of The Subjection of Women, and why that matters for interpretation of Mill's argument.

Wednesday, September 13, 2017

Music on My Mind

Clamavi De Profundis, "The Fall of Gil-Galad".


Today is the feast of St. John Chrysostom, Patriarch of Constantinople, Doctor of the Church. A bold and charismatic speaker, he was both popular and controversial, and died in exile because of it; he is best known today for his homiletic commentaries on Scripture.

From his Homily VIII on Philippians:

Taking these things to heart, let us do everything “without murmuring and disputing.” Is it some good work that thou hast before thee, and dost thou murmur? wherefore? art thou then forced? for that there are many about you who force you to murmur, I know well, says he. This he intimated by saying, “in the midst of a crooked and perverse generation”; but it is this that deserves admiration, that we admit no such feeling when under galling provocation. For the stars too give light in the night, they shine in the dark, and receive no blemish to their own beauty, yea they even shine the brighter; but when light returns, they no longer shine so. Thus thou too dost appear with the greater lustre, whilst thou holdest straight in the midst of the crooked. This it is which deserves our admiration, the being “blameless”; for that they might not urge this plea, he himself set it down by anticipation.

Tuesday, September 12, 2017

Berkeley and the Adventures of Gaudentio (Re-Post)

This is a lightly revised re-post of a post from 2014.

In 1737 a work was published in London, Memoirs of Sgr. Gaudentio di Lucca (in later editions it was sometimes published as The Adventures of Sgr. Gaudentio di Lucca). It was a runaway bestseller; it would be reprinted many times and translated into many languages. Since it was published in the eighteenth century when subtitles do the work of blurbs, you can get some idea of the substance of the work from its subtitle (the humor of its length is probably deliberate): taken from his confession and examination before the fathers of the Inquisition at Bologna in Italy. Making a discovery of an unknown country in the midst of the vast deserts of Africa, as ancient, populous, and civilized, as the Chinese ... Copied from the original manuscript kept in St. Mark's library at Venice; with critical notes of the learned Signor Rhedi, late library-keeper of the said library. To which is prefix'd, a letter of the secretary of the Inquisition, to the same Signor Rhedi, giving an account of the manner and causes of his being seized. Faithfully translated from the Italian by E. T. Gent.. It is a work of fiction originally written in English, and telegraphs that fact fairly clearly. It's quite a good book, relatively fast-moving and surprisingly funny, using intricate layers of narration in a highly effective way despite not being all that long; it's not surprising that it became so popular. Historically, it's of significance in part for being a major part of the transition between Utopia novels and Lost World/Dark Continent adventure stories, a precursor of H. Rider Haggard, and one of the works that, because of its popularity, established some of the genre conventions and possibilities for it.

As the work was published pseudonymously, speculation about its author sprang up immediately, and one name seems to have spread most widely: George Berkeley, the philosopher and Bishop of Cloyne. For most of the late eighteenth century most people regarded it as Berkeley's work. I first came across the name of the novel when reading Sir William Forbes's An Account of the Life and Writing of James Beattie; in a letter to the Duchess of Gordon in 1780, Beattie mentions (toward the end) that he is sending her a parcel of books, one of which is Gaudentio; he praises the description of the African deserts, and says, "The author is no less a person than the famous Bishop Berkeley."

Alas, the work is almost certainly not by Berkeley. Indeed, it's difficult to say why it would have been attributed to Berkeley in the first place. It likely lies in a complex set of associations. The humor is (very) broadly of the sort that would have been associated with Jonathan Swift -- Gulliver's Travels had been published a few years before it, and is probably an influence, although Gaudentio is much subtler and strives to be more realistic than Gulliver (not that that is difficult). The earliest attribution I've been able to trace was a review in Gentleman's Magazine not long after it came out; it's vague, but the sense of it seems to be that the reviewer thought that it was by Swift. However, at some point it became associated with Berkeley. And it is true that if you assume that the work originated in Swift's circle, Berkeley is actually the best candidate, particularly give the relative popularity of Alciphron. He was a close friend of Swift and all his circle, and we know from some of his essays and occasional touches in his published works, especially Alciphron, that he is capable of writing broadly Swiftian humor; Berkeley was a Platonist, so might be thought attracted to the idea of writing a Utopia (this was explicitly given as a reason for attributing the work to him in at least one case); he had considerable erudition, including some knowledge of the Ancient Egyptians, which plays a role here; and perhaps more obviously, Gaudentio has a satirical portrait of a freethinker that would likely remind people of the satirical portrait of freethinkers in Alciphron. In addition, Berkeley was known to have traveled in Europe, particularly Italy, and he was famous for his idealistic plan for a school in Bermuda, giving him an association with exotic travel, even though he never visited Africa or even made it to Bermuda. And it has to be admitted that Berkeley has the writing ability for it; he has a knack for description of scenery and can easily blend philosophical and narrative elements.

On the opposing side, however, is the fact that Berkeley's son denied that Berkeley wrote it, or even read it, and if you don't assume that it originated in Swift's circle, there's not much reason to attribute it to Berkeley. It was hardly the first Utopian novel; it was a genre that sold very well at the time. The humor is perhaps harsher and, occasionally, edges up to risqué (an occasional joke is that the narrator pretends that pages got lost right at the moment the narrative gets into discussion of some sexual topic) a bit more than you might expect of Berkeley beforehand. If there's any connection between the satire on freethinkers in Alciphron and the satire on them in Gaudentio, the former had been published in 1735, so it could easily have been an influence on the latter in just the ordinary way. The question was investigated quite well in Notes and Queries, and the argument against Berkeley's authorship seems fairly probable. After the Berkeley attribution began to collapse, people looked around for whomever could be a possible alternative candidate. One suggestion, derived from a later close investigation published in Notes and Queries, was a certain Simon Berington, about whom we know relatively little, but who was probably a Catholic priest, and certainly from an old Catholic family. Later investigation did seem to show that it was a local family tradition that Berington had written the work. And if we compare Gaudentio to other things we're fairly sure Berington wrote, such as A Popish Pagan, a biting and thorough satire of the controversial work of Conyers Middleton, or the work that James Crossley, the second Notes and Queries researcher, used, Dissertations on the Mosaical Creation, there does seem to be some at least broad kinship of humor ideas between the works, and Crossley points out that when one compares the authors quoted or alluded to in the works, there is a fair amount of overlap. It does seem fairly certain, then.

In any case, if you've never read it, it is worth reading, and it is a book that is good enough that it probably should not be allowed to fall into oblivion. As I mentioned before, for a Utopia novel, it is fast-paced, in an H. Rider Haggard sort of way. There is a lot of humor in the work, ranging from the subtle to the blatantly sarcastic. And Berington's use of narrative layering borders on genius -- reading the story, we are reading a supposed translation and edition of a supposed commentary by an Italian scholar of an account by Gaudentio of his adventures, including stories told to him by natives, as recorded in the transcript of an Inquisition investigation, and each layer gets some good use in the story. We travel with Gaudentio to Egypt, where he meets a man called the Pophar, who takes him to his homeland, the forgotten but mighty, wise, and prosperous civilization of Mezzorania, deep in the heart of Africa, and its glorious capital city of Phor, also called No-om or No-Ammon, in which the long-lost civilization of the Ancient Egyptians has had its greatest flowering.